Complete Bill of Materials for the MediaVerse Studio Complex. Audio, video, computing, furniture, and software — everything needed to build a professional production facility from the ground up.
CUSTOMIZABLE — Furniture brand and style (desks, chairs, storage) are entirely your choice provided they fit the dimensioned floor space. Cable management trunking brand and colour may follow your company standard. Power distribution unit (PDU) brand may vary if rated capacity matches. Network switch and patch panel brands are flexible. Software licensing is end-user preference.
DO NOT ALTER — Studio monitor model and placement positions (equilateral triangle at 1.20m tweeter height, 30-degree angle), microphone isolation mount type, headphone amplifier channel count, audio interface channel count and sample rate capability, and rack unit dimensions. Monitor positioning is calibrated to the room geometry and changing placement distances invalidates the acoustic sweet spot.
Click column headers to sort. Use category tabs above to filter. All prices in USD at 2026 retail.
| # | Category | Item | Type | Qty | Unit Price | Total | Notes |
|---|
Alternative equipment recommendations audited against MediaVerse technical requirements. Each category includes alternatives with cost comparison and professional verdict.
Annual licensing costs for the production software stack. Perpetual licenses shown at one-time cost; subscriptions at annual rate.
| Software | License Type | Annual Cost | Notes |
|---|
Motorized, wall-mounted retractable green screen for the Video/Podcast Studio. Deploys and retracts at the push of a button for clean, consistent chroma key backgrounds.
Two dedicated render nodes placed in the adjacent IT room (B313) for offloading heavy 3D renders, video encoding, and AI training workloads from production stations.
10 Gigabit Ethernet connection from each node to the Synology DS1621+ NAS via the Ubiquiti UniFi USW-24-PoE managed switch. Dedicated VLAN for render traffic ensures production network remains unaffected.
Thinkbox Deadline (free for up to 10 nodes) or Blender Network Render (open source). Both support distributed job queuing with priority management and automatic node failover.
Render nodes are headless (no monitor/keyboard) and placed in the adjacent IT/server room B313 — east of the studio zone. This keeps fan noise out of production spaces while leveraging existing cooling infrastructure.
Headphone distribution, talkback, patchbay, dubbing/ADR video, furniture accessories, cable management, NAS enclosure, and testing/commissioning equipment.
| Item | Qty | Specification | Room | Notes |
|---|---|---|---|---|
| Headphone System | ||||
| Beyerdynamic DT 900 Pro X | 1 | 48Ω open-back reference | Control Room | Mixing/mastering reference |
| Beyerdynamic DT 770 Pro (80Ω) | 7 | Closed-back, isolation | CR(1) + VO(3) + Studio(3) | Talent + tracking |
| Behringer HA-400 / Mackie HM-4 | 2 | 4-ch headphone amp | VO Live + Studio | Fed from cue mix outputs |
| K&M 16085 Headphone Holder | 6 | Wall-mount hook | VO Live(3) + Studio(3) | Near talent positions |
| Talkback System | ||||
| Beyerdynamic TG D58c | 1 | Gooseneck talkback mic | Control Room | On K&M 23250 desk stand |
| K&M 23250 Desk Stand | 1 | Table-mount gooseneck base | Control Room | For talkback mic |
| TFS-1 Footswitch | 1 | Momentary press-to-talk | Control Room | Under desk, near operator |
| Patchbay | ||||
| Neutrik NYS-SPP-L1 | 1 | 48-point half-normal TRS | Control Room | Rack/desk mount |
| Mic Accessories | ||||
| Rode PSA1+ Boom Arm | 1 | Desk-mount, 360° rotation | VO Live | Primary recording position |
| Pop Filter (metal mesh) | 1 | Dual-layer, gooseneck | VO Live | Attached to boom arm |
| Shock Mount | 1 | Matched to studio mic | VO Live | Desk vibration isolation |
| Manhasset M48 Music Stand | 1 | Symphony model | VO Live | Script/sheet music |
| sE Reflexion Filter X | 1 | Portable vocal booth | VO Live | Optional rear rejection |
| Dubbing / ADR Video Feed | ||||
| HDMI-over-Cat6 Extender Kit | 2 | OREI EX-330 or equiv, 1080p/60Hz | CR→VO (VF-01) + CR→Studio (VF-02) | TX at CR, RX at room |
| 1x2 HDMI Splitter (powered) | 2 | HDMI 2.0, 4K pass-through | VO Live + Studio receivers | Split to dual monitors/existing |
| 24" IPS Monitor (VESA) | 2 | 1080p, wall-mount bracket | VO Live | Dubbing video displays |
| Dubbing Booth Accessories | ||||
| Portable Acoustic Gobo | 1 | 1800×900mm, 50mm rockwool, NRC 0.80 | VO Live | Removable, leans flat when stored |
| Manhasset M48 Note Stand | 2 | Symphony model (additional) | VO Live | For dubbing actors |
| K&M 21090 Floor Boom Stand | 2 | Telescoping floor boom | VO Live | Standing actors during dubbing |
| Furniture Accessories | ||||
| IsoAcoustics ISO-155 Pads | 2 | Monitor isolation | Control Room | Under studio monitors |
| Keyboard Tray (pull-out) | 4 | Ball-bearing slides, 600×300mm | CR(1) + Editing(3) | Under-desk mount |
| Monitor Arm (VESA 100) | 7 | Gas spring, desk clamp | CR(1) + Editing(6) | Dual arms for Editing desks |
| Ergonomic Chair | 4 | Mesh-back, adjustable | CR(1) + Editing(3) | Operator seating |
| NAS Acoustic Enclosure | ||||
| 12U Rack Cabinet | 1 | ~600×600×650mm, glass door, rubber gasket | Editing Suite | Under desk, adjacent to rack |
| Acoustic Foam (25mm) | 2m² | All interior surfaces | Inside enclosure | ~15-20 dB noise reduction |
| Noctua NF-A12x25 Fan | 1 | 120mm, 12 dBA | Enclosure rear | Active cooling, 120W thermal capacity |
| Cable Management | ||||
| Brady BMP21+ Labeler | 1 | TLS 2200 compatible | All rooms | Cable identification |
| Velcro Cable Ties (bulk) | 100 | Reusable, 200mm | All rooms | No zip ties in audio runs |
| Cable Mesh Tray | 3 | 800mm, under-desk mount | CR + Editing(2) | Cable basket organizer |
| Spare Cables (assorted) | 18 | XLR, TRS, Cat6A, HDMI | Stored in Editing | Labeled replacement inventory |
| Testing & Commissioning Equipment | ||||
| Class 1 Sound Level Meter | 1 | IEC 61672 Class 1, 1/1 & 1/3 octave bands, 20–20kHz | All rooms | NC measurement, STC field testing, background noise surveys. NTi XL2 / UMIK-1 + laptop alternative |
| Acoustic Calibrator | 1 | 94 dB & 114 dB at 1 kHz, IEC 60942 Class 1 | All rooms | Required before every measurement session to verify SLM accuracy |
| Measurement Microphone (Omni) | 2 | Class 1 omnidirectional, calibrated, with clip | All rooms | NC/RT60/STC measurements. 2 needed for STC (source + receive room). Dayton Audio UMM-6 or Behringer ECM8000 |
| Microphone Tripod (Isolation) | 2 | Vibration-isolated feet, adjustable 1.0–1.8m height | All rooms | Rubber/neoprene feet mandatory — floor vibration corrupts low-freq readings |
| Windscreen (Foam Ball) | 2 | Fits measurement mic, 50mm diameter | All rooms | Shields mic from HVAC diffuser draft during NC measurement |
| Omnidirectional Loudspeaker Source | 1 | Dodecahedron or similar, broadband 100 Hz–10 kHz, ≥100 dB output | All rooms | RT60 interrupted noise method (ISO 3382-2) and STC source room excitation |
| Power Amplifier (Test Source) | 1 | 50W minimum, flat response, pink noise capable | Portable | Drives omnidirectional source for STC and RT60 testing |
| Pink Noise Generator | 1 | Analog or software-based, broadband | Portable | STC field test per ASTM E336. REW software can generate via laptop as alternative |
| Room Acoustics Software (REW) | 1 | Room EQ Wizard (free), runs on laptop | Portable | RT60, frequency response, waterfall plots. Replaces dedicated analyzer if budget-constrained |
| USB Audio Interface (Test) | 1 | 2-ch minimum, 48V phantom, 24-bit/96kHz | Portable | Connects measurement mics to laptop for REW. Can use studio interface if available |
| Measuring Tape (Laser) | 1 | Laser distance measurer, 30m range, ±1.5mm accuracy | All rooms | Verify room dimensions, mic positions, source-to-wall distances |
| Flashlight (High-Power) | 2 | ≥500 lumens, focused beam | All rooms | Mandatory flashlight test for every acoustic door seal. If light passes, sound passes |